For six exciting years Doug Thompson worked as a park ranger at Carlsbad Caverns National Park. In Underground Ranger he passes along the essence of what he learned on this unusual job. He overcame his fear of tight spaces and heights, learned to climb rope, and went on to explore many of the deep vertical caves in the Guadalupe Mountains of west Texas and southeastern New Mexico - including Lechuguilla Cave, one of the most spectacular underground wonders of the world. He even became a member of the park's technical rescue team and made a fifty-story rappel into one of the world's deepest underground pits. He also describes his adventures exploring the surrounding Chihuahuan Desert and shows how caves are related to the earth's surface in a variety of ways, especially through the creative actions of water.

A Course in Miracles Urtext Manuscripts is a collection of all seven canonical volumes of the world renowned Third Testament under one cover. It represents the oldest available typed copy of the words dictated by a voice to professor, research psychologist and Scribe Helen Schucman, Ph.D. between 1965 and 1978. The voice, claimed Schucman, was Jesus. This edition predates all others currently in print. It is available in two cover styles, one plain burgundy and another with a painting The Resurrection by Pieter Lastman, made available by the Getty Museum in Los Angeles, CA, USA. There is a free companion website with concordances and source material libraries. An optional 4.5 Gb/DVD containing an enhanced edition of the website, concordances, over 10,000 pages of source material, a synthesized audio reading of the 31 chapter text and several editions of the King James Bible is available in some editions. The Urtext Manuscripts include extensive discussions of the Bible, sex, possession, Freud and other topics which were edited out of other editions. There are over 2400 footnotes to references on variant ACIM readings and Bible verses. The book also includes extensive appendices with commentary on the versions and history of A Course in Miracles by the compiler of this remarkable edition, Doug Thompson. The Urtext Manuscripts are ideal for students and teachers who wish to deepen their knowledge of A Course in Miracles and its unique approach to life and the teachings of the Bible. This edition seeks not to be the final rendition of A Course in Miracles, but rather one giant leap toward the greater goal of getting the words right. In that light, the reader may expect future editions to contain updates in textual scholarship, biblical references, appendices, added indexing, DVD contents and more.

A Course in Miracles Urtext Manuscripts is a collection of all seven canonical volumes of the world renowned Third Testament under one cover. It represents the oldest available typed copy of the words dictated by a voice to professor, research psychologist and Scribe Helen Schucman, Ph.D. between 1965 and 1978. The voice, claimed Schucman, was Jesus. This edition predates all others currently in print. It is available in two cover styles, one plain burgundy and another with a painting The Resurrection by Pieter Lastman, made available by the Getty Museum in Los Angeles, CA, USA. There is a free companion website with concordances and source material libraries. An optional 4.5 Gb/DVD containing an enhanced edition of the website, concordances, over 10,000 pages of source material, a synthesized audio reading of the 31 chapter text and several editions of the King James Bible is available in some editions. The Urtext Manuscripts include extensive discussions of the Bible, sex, possession, Freud and other topics which were edited out of other editions. There are over 2400 footnotes to references on variant ACIM readings and Bible verses. The book also includes extensive appendices with commentary on the versions and history of A Course in Miracles by the compiler of this remarkable edition, Doug Thompson. The Urtext Manuscripts are ideal for students and teachers who wish to deepen their knowledge of A Course in Miracles and its unique approach to life and the teachings of the Bible. This edition seeks not to be the final rendition of A Course in Miracles, but rather one giant leap toward the greater goal of getting the words right. In that light, the reader may expect future editions to contain updates in textual scholarship, biblical references, appendices, added indexing, DVD contents and more.

Much of American popular culture depicts the 1930s South either as home to a population that was intellectually, morally, and physically stunted, or as a romantic, sentimentalized haven untouched by the nation's financial troubles. Though these images stand as polar opposites, each casts the South as an exceptional region that stood separate from American norms. Reassessing the 1930s South brings together historians, art critics, and literary scholars to provide a new social and cultural history of the Great Depression South that moves beyond common stereotypes of the region. Essays by Steven Knepper, Anthony J. Stanonis, and Bryan A. Giemza delve into the literary culture of the 1930s South and the multiple ways authors such as Sterling Brown, Tennessee Williams, and E. P. O'Donnell represented the region to outsiders. Lisa Dorrill and Robert W. Haynes explore connections between artists and the South in essays on New Deal murals and southern dramatists on Broadway. Rejecting traditional views of southern resistance to modernization, Douglas E. Thompson and Ted Atkinson survey the cultural impacts of technological advancement and industrialization. Emily Senefeld, Scott L. Matthews, Rebecca Sharpless, and Melissa Walker compare public representations of the South in the 1930s to the circumstances of everyday life. Finally, Ella Howard, Nicholas Roland, and Robert Hunt Ferguson examine the ways southern governments and activists shaped racial perceptions and realities in Georgia, Texas, and Tennessee. Reassessing the 1930s South provides an interpretation that focuses on the region's embrace of technological innovation, promotion of government-sponsored programs of modernization, rejection of the plantation legend of the late nineteenth century, and experimentation with unionism and interracialism. Taken collectively, these essays provide a better understanding of the region's identity, both real and perceived, as well as how southerners grappled with modernity during a decade of uncertainty and economic hardship.

After serving a prison sentence for bigamy and cashiered from the army, Will Crosby quits England for life as a sergeant in the Queensland constabulary, hoping to regain lost self-esteem and the forgiveness of his wronged 'wife', Alice. A typhus epidemic on board ship puts his plans in jeopardy as the vessel and its occupants must spend an indefinite time at the ill-prepared quarantine station on Stradbroke Island. The new, unpredictable relationships Will establishes, especially with Thomas, a lapsed Irish Catholic priest, and Billy, a newly orphaned six-year old, together with his experiences and responsibilities on Stradbroke, project his life in hitherto unimagined directions. The total absence of any Authority on the island forces Will (the future policeman) and Thomas (the ex-priest) into trying to maintain civilised order in desperate circumstances. However, they encounter much hostility, for almost all the emigrants are fleeing authoritarian harshness in England and Ireland, for one reason or another. Crime and violence are rife, and, despite their own anti-authoritarian sympathies, the two friends have no option but to apply whatever justice they can to protect the community. Will's view of the world is eventually radically changed through his encounter with Tompani, an Aborigine elder, and his people.